The following baby names add up to 144, which reduces to nine (1+4+4=9).
“144” girl names: Yuritzy, Harleyquinn
“144” boy names: Constantino, Johnanthony, Oluwalonimi
9 via 153
The boy name Quintavius adds up to 153, which reduces to nine (1+5+3=9).
9 via 171
The following baby names add up to 171, which reduces to nine (1+7+1=9).
“171” girl names: Oluwatomisin
“171” boy names: Konstantinos, Oluwatimilehin
9 via 180
The unisex name Kamsiyochukwu adds up to 180, which reduces to nine (1+8+0=9).
What Does “9” Mean?
First, we’ll look at the significance assigned to “9” by two different numerological sources. Second, and more importantly, ask yourself if “9” or any of the intermediate numbers above have any special significance to you.
“9” (the ennead) according to the Pythagoreans:
“It is by no means possible for there to subsist any number beyond the nine elementary numbers. Hence they called it ‘Oceanus’ and ‘horizon,’ because it encompasses both of these locations and has them within itself.”
“Because it does not allow the harmony of number to be dissipated beyond itself, but brings numbers together and makes them play in concert, it is called ‘concord’ and ‘limitation,’ and also ‘sun,’ in the sense that it gathers things together.”
“They also called it ‘Hyperion,’ because it has gone beyond all the other numbers as regards magnitude”
“The ennead is the first square based on an odd number. It too is called ‘that which brings completion,’ and it completes nine-month children, moreover, it is called ‘perfect,’ because it arises out of 3, which is a perfect number.”
“It was called ‘assimilation,’ perhaps because it is the first odd square”
“They used to call it […] ‘banisher’ because it prevents the voluntary progress of number; and ‘finishing-post’ because it has been organized as the goal and, as it were, turning-point of advancement.”
“9” according to Edgar Cayce:
“Nine – the change” (reading 261-14).
“Nine indicates strength and power, with a change” (reading 261-15).
“Nine making for the completeness in numbers; […] making for that termination in the forces in natural order of things that come as a change imminent in the life” (reading 5751-1).
“As to numbers, or numerology: We find that the number nine becomes as the entity’s force or influence, which may be seen in that whatever the entity begins it desires to finish. Everything must be in order. It is manifested in those tendencies for the expressions of orderliness, neatness. To be sure, nine – in its completeness, then – is a portion” (reading 1035-1).
Does “9” — or do any of the other numbers above (e.g., 18, 63, 99, 144) — have any special significance to you?
Think about your own preferences and personal experiences: lucky numbers, birth dates, music, sports, and so on. For example, maybe your favorite sport is golf, which has 18 holes per game.
Also think about associations you may have picked up from your culture, your religion, or society in general.
If you have any interesting insights about the number 9, or any of the other numbers above, please leave a comment!
Source: Theologumena Arithmeticae, attributed to Iamblichus (c.250-c.330).
Looking for an uncommon K-name for your baby girl? Here’s the next installment of rare female names collected from very old films (released from the 1910s to the 1940s). For those names that saw enough usage to register in the national data set, I’ve included links to the popularity graphs.
Kabirah was a character played by actress Emily Seville in the film Kismet (1920).
Kalaniweo was a character played by actress Enid Markey in the film Aloha Oe (1915).
Kalora was a character played by actress Ruth Stonehouse in the film The Slim Princess (1915) and by actress Mabel Normand in the remake The Slim Princess (1920).
Kaluna was a character played by actress Betty Schade in the short film Isle of Abandoned Hope (1914).
Kamamamalua was a character played by actress Hilo Hattie in the film Miss Tatlock’s Millions (1948).
Kameela was a character played by actress Ann Rork in the film The Notorious Lady (1927)
Karamaneh was a character played by either of two actresses, Joan Clarkson and Dorinea Shirley, in various short films, including The Shrine of the Seven Lamps and The Cafe L’Egypte, during the 1920s.
Karanina “Nina” Novak was a character played by actress Anne Shirley in the film Four Jacks and a Jill (1942).
Karin Touzac was a character played by actress Merle Oberon in the film This Love of Ours (1945).
Kathe was a character played by actress Dorothy Tree in the film Sky Murder (1940).
Usage of the baby name Kathe (which debuted in the data the year Sky Murder came out).
Kathlyn Williams was an actress who appeared in films from the 1900s to the 1930s. She was born in Montana in 1879. Her birth name was Kathleen Mabel Williams. Kathlyn was also a character played by actress Bessie Eyton in the film The City of Purple Dreams (1918).
Katina Paxinou was an actress who appeared in films from the 1940s to the 1970s. She was born in Greece in 1900. Her birth name was Ekaterini Konstantopoulou. Katina was also a character played by actress Sonja Henie in the film Iceland (1942).
Katuma was a character played by actress Tsuru Aoki in the short film A Relic of Old Japan (1914).
Katyusha Maslova was a character played by various actresses (such as Florence Lawrence, Pauline Frederick, Dolores del Rio, Lupe Velez) in various movies called Resurrection, all based on the novel of the same name by Leo Tolstoy.
Kawista was a character played by actress Edith Storey in the short film Return of Ta-Wa-Wa (1910).
Kay Laurel was an actress who appeared in films from the 1910s to the 1920s. She was born in Pennsylvania in 1890. Her birth name was Ruth Leslie. Kay Aldridge was an actress who appeared in films from the 1930s to the 1940s. Aldridge was born in Florida in 1917. Kay was also a character name in multiple films, including The Scarlet Honeymoon (1925) and Mrs. Miniver (1942).
Kittens Reichert was an actress who appeared in films from the 1910s to the 1920s. She was born in New York in 1910. Her birth name was Catherine Alma Reichert. Kittens was also a character played by actress Dorothy Abril in the film Rouge and Riches (1920).
Kittie Swasher was a character played by actress Madge Kennedy in the film The Girl with the Jazz Heart (1921).
Kitty Gordon was an actress who appeared in films in the 1910s. She was born in England in 1878. Her birth name was Constance Blades. Kitty was also a character name in multiple films, including Five Star Final (1931) and The Challenge (1948).
A few weeks ago, I got an email from a reader looking for lists of old-fashioned double names. She was aiming for names like Thelma Dean, Eula Mae, and Gaynell — names that would have sounded trendy in the early 1900s. She also mentioned that she’d started a list of her own.
So I began scouring the interwebs. I tracked down lists of old-fashioned names, and lists of double names…but I couldn’t find a decent list of double names that were also old-fashioned.
I loved the idea of such a list, though, so I suggested that we work together to create one. She generously sent me the pairings she’d collected so far, and I used several different records databases to find many more.
I restricted my search to names given to girls born in the U.S. from 1890 to 1930. I also stuck to double names that I found written as single names, because it’s very likely that these pairings were used together in real life (i.e., that they were true double names and not merely first-middle pairings).
Pairings that seemed too timeless, like Maria Mae and Julia Rose, were omitted. I also took out many of the pairings that feature now-trendy names — think Ella, Emma, and Lucy — because they just don’t sound old-fashioned anymore (though they would have a few decades ago).
The result isn’t exhaustive, but it’s a decent sampling of real-life, old-fashioned double names. I’ve organized them by second name, and I also added links to popularity graphs for names that were in the SSA data during the correct time period (early 1900s).
Peaches Jackson was an actress who appeared in films from the 1910s to the 1930s. She was born in New York in 1913. Her birth name was Charlotte Jackson. Peaches was also a character played by actress May West in the film Every Day’s a Holiday (1937).
Peavey was a character played by actress Olive Borden in the film Leave It to Me (1933).
Peg Entwistle was an actress who appeared in one film in 1932 (and, the same year, committed suicide by jumping off the H of the Hollywoodland sign). She was born in Wales in 1908. Her birth name was Millicent Lilian Entwistle. Peg was also a character played by actress Anna Neagle in the film Peg of Old Drury (1935).
Peggy Pearce (born a Velma) was an actress who appeared in films from the 1910s to the 1920s. She was born in California in 1894. Peggy Cartwright was an actress who appeared in films from the 1910s to the 1930s. She was born in Canada in 1912. Peggy Moran (Mary) was an actress who appeared in films from the 1930s to the 1940s. She was born in Iowa in 1918. Peggy Ryan (Margaret) was an actress who appeared in films from the 1930s to the 1940s. She was born in California in 1924. Finally, Peggy was also a character name in multiple films including Peggy Lynn, Burglar (short 1915) and Confessions of a Co-Ed (1931).
Pert Pert Kelton was an actress who appeared in films from the 1920s to the 1960s. She was born in Montana in 1907. Pert was also a character name in multiple films, including Danger! Women at Work (1943) and Take It Big (1944).
Pervaneh was a character played by actress Greta Nissen in the film The Lady of the Harem (1926).
Petal Schultze was a character played by actress Amy Veness in the film Red Wagon (1933).
Phyllis Gordon was an actress who appeared in films from the 1910s to the 1940s. She was born in Virginia in 1889. Phyllis Haver was an actress who appeared in films from the 1910s to the 1930s. She was born in Kansas in 1899. Phyllis Thaxter was an actress who appeared in films from the 1940s to the 1970s. She was born in Maine in 1919. Finally, Phyllis was also a character name in multiple films, including Just Like a Woman (short, 1915) and Wagons Westward (1940).
Pinna Nesbit was an actress who appeared in films from the 1910s to the 1920s. She was born in Canada in 1896.
Piquette was a character played by actress Shannon Day in the film Honor First (1922).
Plutina was a character played by actress Clara Kimball Young in the film The Heart of the Blue Ridge (1915).
Pola Negri was an actress who appeared in films from the 1910s to the 1960s. She was born in Poland in 1897. Her birth name was Barbara Apolonia Cha?upec. Pola was also a character played by actress Elizabeth Allan in the film Insult (1932).
Pompeia Plotina was a character played by actress Caroline Frances Cooke in the short film In the Days of Trajan (1913).
Pompilia was a character played by actress Marie Newton in the short film The Ring and the Book (1914).
Pomposia was a character played by actress Helen Ware in the film The Warrior’s Husband (1933).
Poppaea was a character name in multiple films, including Nero (1922) and The Sign of the Cross (1932).
Portland Fancy was a character played by actress Juliet Brenon in the film The Street of Forgotten Men (1925). (Plus there’s radio actress Portland Hoffa was most active during the ’30s and ’40s.)
More old-timey name snark! This short article was published in a now-defunct Indiana newspaper in 1880.
The programmes of the school commencements—and our own High School is no exception to the rule—are made silly by “Nannies,” “Libbies,” “Kitties,” “Mamies,” and other pet names. No woman who drops the sensible “y” and spells her name with an “ie” termination will ever get beyond mediocre in any sphere. A pet name is for the household only. How everybody would smile if the male graduates insisted upon the same silly style, and were put down on the programmes as “Johnnies,” “Sammies,” “Jimmies,” etc. The literary nom de plume of a female author indicates to some extent the force of her mind; and we know just as well what to expect from the Lillie Linwoods and Mattie Myrtles as we do from the George Eliots. The former clearly foreshadows gush and twaddle, the latter suggests an idea of strength and common sense. You can scarcely pen a more suggestive satire against the helpfulness and independence of woman than to wrap her up in such terms of daily coddling and childish endearment as the pet names of Jennie, Nannie, Hattie, Minnie, Margie, Nettie, Nellie, Allie, Addie, Lizzie, and a host of others. How it lessens the dignity of any woman to be called by a baby name. For instance, persistently to call the two great chieftains of woman’s advanced status, Lizzie Cady Stanton and Susie B. Anthony, would crush, at one stroke, the revolution they have so much at heart. Under such sweet persiflage it would sink into languid imbecility, and furnish fresh food for laughter.
If I spelled my name “Nancie,” I would definitely use that “mediocre in any sphere” sentence as my Twitter bio.