“145” boy names: Montgomery, Sylvester, Quantavius, Constantinos
1 via 154
The girl name Summerlynn adds up to 154, which reduces to one (1+5+4=10; 1+0=1).
1 via 163
The boy name Constantinos adds up to 163, which reduces to one (1+6+3=10; 1+0=1).
1 via 172
The girl name Trinityrose adds up to 172, which reduces to one (1+7+2=10; 1+0=1).
What Does “1” Mean?
First, we’ll look at the significance assigned to “1” by two different numerological sources. Second, and more importantly, ask yourself if “1” or any of the intermediate numbers above have any special significance to you.
“1” (the monad) according to the Pythagoreans:
“The Pythagoreans called the monad ‘intellect’ because they thought that intellect was akin to the One; for among the virtues, they likened the monad to moral wisdom; for what is correct is one. And they called it ‘being,’ ’cause of truth,’ ‘simple,’ ‘paradigm,’ ‘order,’ ‘concord,’ ‘what is equal among greater and lesser,’ ‘the mean between intensity and slackness,’ ‘moderation in plurality,’ ‘the instant now in time,’ and moreover they called it ‘ship,’ ‘chariot,’ ‘friend,’ ‘life,’ ‘happiness.'”
“They say that the monad is not only God, but also ‘intellect’ and ‘androgyne.’ It is called ‘intellect’ because of that aspect of God which is the most authoritative both in the creation of the universe and in general in all skill and reason”
“They consider it to be the seed of all, and both male and female at once”
“They call it ‘Chaos’ which is Hesiod’s first generator, because Chaos gives rise to everything else, as the monad does. It is also thought to be both ‘mixture’ and ‘blending,’ ‘obscurity’ and ‘darkness,’ thanks to the lack of articulation and distinction of everything which ensues from it.”
“They call it ‘Prometheus,’ the artificer of life, because, uniquely, it in no way outruns or departs from its own principle, nor allows anything else to do so, since it shares out its own properties.”
“All activities emanate from the one” (reading 5751-1).
“As in numbers…all are formations or divisions or multiples of units of one, so the universe and the expressions of all natures within same are the manifestations of that one force, one power, one spirit, one energy known as or called a Universal Force, Creative Energy, or God.” (reading 1462-1).
Does “1” — or do any of the other numbers above (e.g., 19, 55, 64, 109) — have any special significance to you?
Think about your own preferences and personal experiences: lucky numbers, birth dates, music, sports, and so on. Maybe your favorite song is “When I’m Sixty-Four” by the Beatles, for example.
Also think about associations you may have picked up from your culture, your religion, or society in general.
If you have any interesting insights about the number 1, or any of the other numbers above, please leave a comment!
Source: Theologumena Arithmeticae, attributed to Iamblichus (c.250-c.330).
This might be my favorite photo on the entire internet.
The shot, which depicts a playful little Texas boy pretending to ride a dead catfish on someone’s front porch, was taken by photographer Neal Douglass in April of 1941.
The Portal to Texas History calls it “Mrs. Bill Wright; Boy Riding Catfish.” So I’m guessing that “Mrs. Bill Wright” was the boy’s mother. But there’s no other identifying information, so I don’t know the boy’s name, nor do I have any way of tracking it down.
So let’s turn this into a name game!
First, let’s suppose our little catfish-rider was not named “Bill” (or “William,” or “Willie,” etc.) after his father. With that rule in place, here are the questions:
What do you think Mrs. Bill Wright named her son?
What would you have named him?
Just for reference, popular names for Texas newborns in the late ’30s included:
For extra credit, what do you think the boy named his catfish? And, what would you have named his catfish? ;)
Laurette Taylor was an actress who appeared in films in the 1920s. She was born in New York in 1884. Her birth name was Loretta Cooney. Laurette was also a character played by actress Molly Lamont in the film Scared to Death (1947).
Lavolia was a character played by actress Etta McDaniel in the film Magnificent Brute (1936).
Leatrice Joy was an actress who appeared in films from the 1910s to the 1950s. She was born in Louisiana in 1893. Leatrice Joy Gilbert (Leatrice Joy’s daughter) was an actress who appeared in films from the 1930s to the 1940s. She was born in California in 1924.
Leontine Dranet was an actress who appeared in 2 films in the 1910s. Leontine was also a character name in multiple films, including The Closing Net (1915) and The Shielding Shadow (serial, 1916).
Lita Grey was an actress who appeared in films from the 1920s to the 1940s. She was born in California in 1908. Her birth name was Lillita MacMurray. Lita was also a character name in multiple films, including Bachelor Apartment (1931) and The Girl from Monterrey (1943).
Lorna Gray was an actress who appeared in films from the 1930s to the 1950s. She was born in Michigan in 1917. Her birth name was Virginia Pound. Lorna was also a character name in multiple films, including Traffic in Souls (1913) and The Butterfly Girl (1921).
Luana Walters was an actress who appeared in films from the 1930s to the 1950s. She was born in California in 1912. Luana Patten was an actress who appeared in films from the 1940s to the 1980s. She was born in California in 1938. Luana was also a character played by actress Dolores del Rio in the film Bird of Paradise (1932).
Lucile Watson was an actress who appeared in films from the 1910s to the 1950s. She was born in Canada in 1879. Lucile Browne was an actress who appeared in films from the 1930s to the 1950s. She was born in Tennessee in 1907. Lucile was also a character played by actress Marguerite Snow in the short film Lucile (1912).
Behind today’s name is a fascinating story involving early television, exotic music, racial identity, and clever deception.
The name is Korla, which, along with variant Corla, first appeared in the SSA’s baby name data in 1951:
6 baby girls (5 in Calif.)
6 baby girls [debut]
8 baby girls [debut]
A bit of research reveals that most of these early ’50s Korlas and Corlas — mainly females, but also a few males — were born in California specifically. This location is already pretty telling, but the smoking gun is this middle name:
Karlo Pandit Lindsay, male, born in November, 1950, in Los Angeles
Korla Ponda Williams, female, born in March, 1951, in Los Angeles
Korla Pandit Lord, male, born in September, 1953, in San Francisco
So what’s the influence here?
Korla Pandit, the mystical musician whose Los Angeles-based TV show Adventures in Music made him famous, particularly on the West Coast, in the early ’50s.
Pandit first appeared on TV in the spring of 1949. In each episode of Adventures in Music, Pandit wore a jeweled turban and gazed hypnotically at the camera, never speaking — just playing otherworldly music on a Hammond organ. His show, which aired on KTLA, was soon picked up by other California stations.
Some early recordings of Korla prominently feature his name, but I’m not sure if the live show Adventures in Music did. (If not, this could account for why “Corla” debuted higher than “Korla” in the data.)
Korla Pandit was an immediate hit, particularly among suburban housewives. He received an impressive amount of fan mail.
He also started putting out albums, eventually releasing well over a dozen on various labels.
In 1951, after shooting hundreds of shows for KTLA, he left to film a series of short musical performances for Snader Telescriptions. These Snader clips introduced Pandit to a national audience.
But Pandit didn’t stay with Snader long, instead leaving to do other things (including start a new live TV show).
According to the 1952 ad below, his songs were “bringing dollars to the cash register and wild acclaim from feminine hearts.”
His music helped set the stage for the late ’50s Exotica craze. In fact, some people have since dubbed Korla the “Godfather of Exotica,” though the title has also been given to other musicians (including Les Baxter).
As the decade wore on, Pandit’s fame began to wane. But he did spend the rest of his life recording and performing — and always wearing that bejeweled turban.
He passed away in 1998, leaving behind his American wife Beryl and their two sons, Shari and Koram.
…But the story doesn’t end there.
Because, a few years after that, a Los Angeles journalist discovered that Korla Pandit was not the half-Indian, half-French man from New Delhi he had claimed to be. Instead, he was an African-American man named John Roland Redd from Columbia, Missouri.
Adopting a non-black identity had allowed Redd to have advantages that he couldn’t have had otherwise in 1950s America. He was one of the first African-Americans with a television show, but, ironically, if the public had known he was black, it’s highly unlikely that audiences (especially those entranced housewives) would have responded as enthusiastically as they did.
Redd took his adopted identity to the grave. Not even his sons were aware of their father’s true origin. (His wife must have known the secret, but she never openly admitted it.)
Notably, “Korla Pandit” was Redd’s second adopted persona. In the ’40s he had assumed the name “Juan Rolando,” which helped him get gigs during the Latin music craze of the time and, more importantly, allowed him to join the white L.A. musicians union as opposed to the black one, which afforded him more career opportunities.
It’s not hard to see how he got Juan from John, but I do wonder how he came up with Korla.
What are your thoughts on the name Korla? And on the story of Korla Pandit?
Desai, Manan. “Korla Pandit Plays America: Exotica, Racial Performance, And Fantasies of Containment In Cold War Culture.” The Journal of Popular Culture Aug. 2015, pp. 714–730.