How popular is the baby name Ethelred in the United States right now? How popular was it historically? Use the popularity graph and data table below to find out! Plus, see all the blog posts that mention the name Ethelred.

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Popularity of the baby name Ethelred


Posts that mention the name Ethelred

Name quotes #110: Marné, Wulfstan, Heather

double quotation mark

Time for another batch of name quotes!

From a recent Deseret News article about Utah’s unusual baby names by Meg Walter:

Heather Marné Williams-Young is named after Marné Whitaker Tuttle. According to legend, Marné Whitaker Tuttle’s mother named her Marne (with no accent) after the French town on the frontlines of World War I, thinking Marne, which rhymes with barn, was a beautiful name.

But Marné disagreed, so she added the acute accent over the e, and pronounced it “Mar-nay.” “There is nothing more Utah to me than women of a certain generation trying make their names more French by putting accents places they shouldn’t be,” Williams-Young says.

[Marné Tuttle (1920-2014), the wife of LDS church leader A(lbert) Theodore Tuttle, served as “temple matron” in the Provo Utah Temple in the early 1980s. During that time, Heather’s mother worked as a Temple employee. Both Heather’s mother and Heather’s mother’s roommate ended up giving their future daughters the middle name Marné.]

“There are a handful of us around Utah County who were all named after the same woman with the made-up name,” Williams-Young says. “I feel such a kinship with them.”

[One of Marné Tuttle’s own daughters, Clarissa, was also given Marné as a middle.]

From a 2015 article in History Today about Anglo-Saxon personal names by James Chetwood:

While it is hard to tell exactly how important the meaning of name elements were, it seems likely that people were aware, to some extent, that names carried some kind of meaning. Indeed, one of the most famous, or infamous, Anglo-Saxons is most often known to us today as Ethelred the Unready, the king who lost his kingdom to Cnut. However, the name Ethelred signified ‘noble counsel’. So, when his contemporaries labelled him Æðelræd Unræd they were not calling him ‘unready’, but using the meaning of his name to mock his lack of good counsel. Similarly, when Archbishop Wulfstan entitled his homily to the English people ‘Sermon of the Wolf to the English’, he was clearly doing so in the knowledge that the first part of his name did not just sound like, but signified, ‘wolf’. Surely it cannot be coincidence that ‘rich’, ‘strong’ and ‘beautiful’ were used in names, where ‘poor’, ‘weak’ and ‘ugly’ were not.

A feature of this naming system was flexibility. There was a finite number of elements, but they could be combined in a multitude of ways. This meant that, in essence, a name was created for, rather than given to, each person. So, while elements could be repeated to emphasize parentage and family links, there was very little repetition of full names and it would be unlikely that any two people within a community or family would have the same name.

For more quotes about names, check out the name quotes category.

Edgar Allan Poe names: Lenore, Ligeia, Prospero

Writer Edgar Allan Poe (1809-1849)
Edgar Allan Poe

The godfather of Gothic fiction, Edgar Allan Poe, was born 202 years ago today.

He may have been master of the macabre, but he wrote widely — far beyond horror. His other works fall into genres such as humor/satire, science fiction, detective fiction, and adventure fiction.

To celebrate Poe’s birthday, let’s check out some of the character names he used in his short stories, poetry, and longer works:

Girl Names

  • Ada, from the poem “Tamerlane” (1827)
  • Alessandra, from the play Politian (1835)
  • Annabel Lee, from the poem “Annabel Lee” (1849)
  • Annie, from the poem “For Annie” (1849) and the short story “Landor’s Cottage” (1849)
  • Arabella, from the short story “The Man That Was Used Up” (1839)
  • Berenice, from the short story “Berenice” (1835)
  • Camille, from the short story “The Murders in the Rue Morgue” (1841)
  • Eleonora, from the short story “Eleonora” (1842)
  • Ermengarde, from the short story “Eleonora” (1842)
  • Estelle, from the short story “The Mystery of Marie Roget” (1842)
  • Eugenie, from the short stories “The Spectacles” (1844) and “The System of Doctor Tarr and Professor Fether” (1845)
  • Eulalie, from the poem “Eulalie – A Song” (1845)
  • Evangeline, from the poem “Evangeline” (1848)
  • Fanny, from the poem “Fanny” (1833)
  • Grettel, from the short story “The Unparalleled Adventure of One Hans Pfaall” (1835)
  • Helen, from the poems “To Helen” (1831) and “To Helen” (1849)
  • Ianthe, from the poem “Al Aaraaf” (1829)
  • Isabel, from the poem “Fairy-Land” (1829)
  • Jacinta, from the play Politian (1835)
  • Jane, from the unfinished novel The Journal of Julius Rodman (1840)
  • Kate, from the short story “Three Sundays in a Week” (1841)
  • Kathleen, from the short story “The Man That Was Used Up” (1839)
  • Lalage, from the play Politian (1835)
  • Lenore, from the poems “Lenore” (1843) and “The Raven” (1845)
  • Ligeia, from the poem “Al Aaraaf” (1829) and the short story “Ligeia” (1838)
  • Madeline, from the short story “The Fall of the House of Usher” (1839)
  • Marian, from the short story “The Oblong Box” (1844)
  • Marie, from the short story “The Mystery of Marie Roget” (1842)
  • Miranda, from the short story “The Man That Was Used Up” (1839)
  • Morella, from the short story “Morella” (1835)
  • Pauline, from the short story “The Murders in the Rue Morgue” (1841)
  • Psyche, from the short story “A Predicament” (1838)
  • Rowena, from the short story “Ligeia” (1838)
  • Stephanie, from the short story “The Spectacles” (1844)
  • Tabitha, from the piece “How to Write a Blackwood Article” (1838) and the short story “The Man That Was Used Up” (1839)
  • Ulalume (rhymes with tomb), from the poem “Ulalume” (1847)
  • Una, from the short story “The Colloquy of Monos and Una” (1841)
  • Zanthe, from the poem “Al Aaraaf” (1829)
"The Cask of Amontillado" illustration by Harry Clarke
“The Cask of Amontillado”

Boy names

  • Adolphe, from the short story “The Murders in the Rue Morgue” (1841)
  • Adolphus, from the short story “The Spectacles” (1844)
  • Alberto, from the short story “The Murders in the Rue Morgue” (1841)
  • Alexander, from the unfinished novel The Journal of Julius Rodman (1840)
  • Alexandre, from the short story “The Murders in the Rue Morgue” (1841)
  • Alfonzo, from the short story “The Murders in the Rue Morgue” (1841)
  • Andrew, from the unfinished novel The Journal of Julius Rodman (1840)
  • Angelo, from the poem “Al Aaraaf” (1829)
  • Arthur, from the novel The Narrative of Arthur Gordon Pym of Nantucket (1838) and the short story “Some Words with a Mummy” (1845)
  • Auguste, from the short stories “The Murders in the Rue Morgue” (1841), “The Mystery of Marie Roget” (1842), and “The Purloined Letter” (1844)
  • Augustus, from the novel The Narrative of Arthur Gordon Pym of Nantucket (1838) and the short story “A Tale of the Ragged Mountains” (1844)
  • Baldazzar, from the play Politian (1835)
  • Barnabas, from the short story “Thou Art the Man” (1844)
  • Benito, from the play Politian (1835)
  • Charles, from the short story “Thou Art the Man” (1844)
  • Cornelius, from the short story “The Oblong Box” (1844)
  • Dirk, from the novel The Narrative of Arthur Gordon Pym of Nantucket (1838)
  • Egaeus, from the short story “Berenice” (1835)
  • Emmet, from the novel The Narrative of Arthur Gordon Pym of Nantucket (1838)
  • Ernest, from the short story “The Facts in the Case of M. Valdemar” (1845)
  • Ethelred, from the short story “The Fall of the House of Usher” (1839)
  • Fortunato, from the short story “The Cask of Amontillado” (1846)
  • Frank, from the unfinished novel The Journal of Julius Rodman (1840)
  • Frederick, from the short story “Metzengerstein” (1832)
  • Gordon, from the novel The Narrative of Arthur Gordon Pym of Nantucket (1838)
  • Hans, from the short story “The Unparalleled Adventure of One Hans Pfaall” (1835)
  • Henri, from the short story “The Murders in the Rue Morgue” (1841)
  • Isidore, from the short story “The Murders in the Rue Morgue” (1841)
  • Israfel, from the poem “Israfel” (1831)
  • Jacques, from the short story “The Mystery of Marie Roget” (1842)
  • James, from the unfinished novel The Journal of Julius Rodman (1840)
  • John, from the short story “The Man That Was Used Up” (1839) and the unfinished novel The Journal of Julius Rodman (1840)
  • Jules, from the short story “The Murders in the Rue Morgue” (1841)
  • Julius, from the unfinished novel The Journal of Julius Rodman (1840)
  • Jupiter, from the short story “The Gold-Bug” (1843)
  • Meredith, from the unfinished novel The Journal of Julius Rodman (1840)
  • Napoleon, from the short story “The Spectacles” (1844)
  • Paul, from the short story “The Murders in the Rue Morgue” (1841)
  • Pedro, from the short story “The Oval Portrait” (1842)
  • Peter, from the novel The Narrative of Arthur Gordon Pym of Nantucket (1838) and the short story “The Business Man” (1840)
  • Pierre, from the short story “Bon-Bon” (1832), the unfinished novel The Journal of Julius Rodman (1840), and the short story “The Murders in the Rue Morgue” (1841)
  • Poindexter, from the unfinished novel The Journal of Julius Rodman (1840)
  • Politian, from the play Politian (1835)
  • Prospero, from the short story “The Masque of the Red Death” (1842)
  • Richard, from the novel The Narrative of Arthur Gordon Pym of Nantucket (1838)
  • Robert, from the novel The Narrative of Arthur Gordon Pym of Nantucket (1838) and the unfinished novel The Journal of Julius Rodman (1840)
  • Roderick, from the short story “The Fall of the House of Usher” (1839)
  • Rupert, from the play Politian (1835)
  • Tamerlane, from the poem “Tamerlane” (1827)
  • Theodore, from the short story “The Man That Was Used Up” (1839)
  • Toby, from the unfinished novel The Journal of Julius Rodman (1840) and the short story “Never Bet the Devil Your Head” (1841)
  • Ugo, from the play Politian (1835)
  • Victor, from the short story “The Spectacles” (1844)
  • William, from the short stories “William Wilson” (1839), “The Murders in the Rue Morgue” (1841), and “The Gold-Bug” (1843)
  • Zoilus, from the short story “Shadow – A Parable” (1835)

Though they aren’t character names, Raven and Poe could be added to this list as well, as both are closely associated with Edgar Allan Poe. And both are bird-related, incidentally: the surname Poe can be traced back to the Middle English word for “peacock.”

Which of the above names do you like best? Which would you considering using in real life?

Sources:

[Latest update: 10/2022]