The name Livan first appeared in the U.S. baby name data in 1997. It reached peak usage the very next year.
1999: 23 baby boys named Livan
1998: 66 baby boys named Livan [peak]
1997: 36 baby boys named Livan [debut]
1996: unlisted
1995: unlisted
Where did it come from?
Professional baseball player Liván Hernández, who was born (as Eisler Liván Hernández Carrera) in Cuba in 1975.
Liván pitched for nine different teams during his 17-year Major League Baseball career (from 1996 to 2012).
He was particularly successful in 1997, when he helped the Florida Marlins win both the National League Championship Series (against the Atlanta Braves) and the World Series (against the Cleveland Indians). He was named MVP of both series.
Later in his career, he was selected as an All-Star twice (in 2004 and 2005) and received a Silver Slugger Award (in 2004).
What are your thoughts on the name Liván?
P.S. Hernández’s older half-brother, Orlando, was also a pitcher in the major leagues.
What accounts for the trendiness of Corliss during those years?
A fictional teenage girl named Corliss Archer.
Created by writer F. Hugh Herbert, the “energetic and vivacious” Corliss was introduced in early 1943 as the central character of…
A series of six short stories published in the popular women’s magazine Good Housekeeping (starting in January),
The radio program Meet Corliss Archer (which also started in January), and
The Broadway play Kiss and Tell (which premiered in March).
In 1945, the play was adapted into a film of the same name starring 17-year-old Shirley Temple. The following year (which, admittedly, was the first year of the baby boom) the name Corliss reached peak usage.
Shirley Temple also starred in a second Corliss Archer film, A Kiss for Corliss, which was released in 1949.
Corliss Archer from “Meet Corliss Archer“
During the 1950s, the radio program Meet Corliss Archer was adapted to television twice:
In the first adaptation, which was broadcast live on CBS from 1951 to 1952, Corliss was played by Lugene Sanders.
In the second, which was produced for first-run syndication during the 1954-55 season, Corliss was played by Ann Baker (above).
The radio program itself remained on the air for more than 13 years, until mid-1956.
I’m not sure why F. Hugh Herbert chose “Corliss” as the name of the character. (Perhaps he was inspired by Corliss Palmer?) But I do know that the character was based on his own teenage daughters, Diana and Pamela. He wrote,
I merely had to put into the lips of Corliss some of their more pungent phrases, into the life of Corliss some of their exuberant high spirits, their natural gaiety, bounce, and charm.
The 1965 pop song “Cara Mia” could be a secondary influence here, but I think the main influence was a single-season sitcom called The Cara Williams Show, which aired from 1964 to 1965 (30 episodes) on CBS.
The star of the show was actress Cara Williams, who played a scatterbrained character also named Cara. Fictional Cara went by two different surnames: Bridges (her married name) at home, and Wilton (her maiden name) at work. Why? Because she and her husband Frank (played by actor Frank Aletter) were co-workers at a company that forbade the employment of married couples. They therefore went to great lengths to conceal their marriage from their boss.
Cara Williams — a “perky redhead” often compared to Lucille Ball — was born Bernice Kamiat in New York City in 1925.
The Abdulsamad brothers — Khiry (b. 1973), Tajh (b. 1976), Hakim (b. 1975), and Bilal (b. 1978) — started performing together in the mid-1980s, “dancing and lip-synching to New Edition records at Venice Beach for donations.”
They were so successful at busking that they “[set] their sights on a show-biz career.”
The brothers formed an R&B vocal quartet called The Boys and, a few years later, signed a record deal with Motown.
The Boys’ songs are well-produced and propelled by strong, danceable rhythms, offering simple, romantic messages that apparently set young girls swooning.
Three of their songs climbed to #1 on Billboard‘s Hot Black Singles chart, and two of the three also reached Billboard‘s Hot 100 chart:
“Dial My Heart,” which peaked at #13 in February of 1989, and
“Crazy,” which peaked at #29 in October of 1990.
So, how did The Boys influence U.S. baby names?
Khiry
The name Khiry debuted impressively in the data in 1989 and reached peak usage in 1990:
1991: 132 baby boys named Khiry [rank: 916th]
1990: 244 baby boys named Khiry [rank: 649th] (peak usage)
1989: 159 baby boys named Khiry [rank: 788th] (debut)
The similar name Kyree also saw higher usage 1989. Other names that debuted in the data that year and the next include Khiree, Kiry, Kiree, Khiri, Khayri, and Khirey.
The name Khiry — which the eldest Abdulsamad brother pronounced kie-ree — is likely based on the Arabic name Khayri, meaning “charitable.”
“Hakeem” (Hakim)
Hakim’s name is spelled “Hakim” in the California Birth Index, at various music websites (e.g. AllMusic, Genius), and in this 2017 Instagram post written by Tajh.
Back in the late ’80s and early ’90s, however, it was regularly spelled “Hakeem.”
I assumed this was a typo when I first encountered it in Jet and Ebony, because I’ve seen name-related typos in those magazines before. But then I spotted it in several major newspapers. And finally I noticed it on-screen in the “Dial My Heart” music video, and printed on the single for “Crazy” — suggesting that the spelling was, in fact, intentional.
Hakim’s name spelled “Hakeem” in a music video
I can’t account for the Hakim/Hakeem spelling discrepancy, but I can show you the result: the baby name Hakeem shot to peak usage (and entered the boys’ top 1,000 for the first time) in 1989, while baby name Hakim saw no movement at all the same year.
The spelling Belal also got a boost that year, and both Billal and Bilaal debuted in the data.
Bilal — which the youngest Abdulsamad brother pronounced bih-LAL (like the name Bill with the end-sound of “canal” or “morale”) — is an Arabic name meaning “moistening.”
Which of The Boys’ names – Khiry, Tajh, Hakim, or Bilal – do you like best?
Second image: Screenshot of the music video for “Dial My Heart”
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