How popular is the baby name Jane in the United States right now? How popular was it historically? Use the popularity graph and data table below to find out! Plus, see all the blog posts that mention the name Jane.
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Did you know that Emily Dickinson got a dog in 1849 and named him Carlo after the dog in the novel Jane Eyre (1847)?
The fictional dog created by Charlotte Bronte was a pointer, while the nonfictional dog owned by Emily Dickinson was likely a brown Newfoundland.
Many other dogs (both real and fictional) were named Carlo around this time as well, no doubt due to the influence of Jane Eyre.
At least five of the dogs residing in Amherst, Massachusetts (Dickinson’s hometown) in 1858 were named Carlo, for instance.
Dogs named Carlo were also featured in books such as Cranford (1851) by Elizabeth Gaskell and Reveries of a Bachelor (1850) by “Ik Marvel” (pseudonym of Donald Grant Mitchell).
The name Barbarella has appeared in the U.S. baby name data just twice:
1971: unlisted
1970: 8 baby girls named Barbarella
1969: 17 baby girls named Barbarella [debut]
1968: unlisted
1967: unlisted
You probably already know the source of this one: sci-fi cult classic Barbarella (1968), which starred Jane Fonda as a voluptuous 41st-century astronaut on a mission to track down Earth scientist Durand Durand* somewhere in outer space.
Though the film wasn’t popular with audiences initially, it has since become a cult classic.
The character Barbarella was created in the early ’60s by French comic strip illustrator Jean-Claude Forest. I’m not sure how he came up with the name, but I’d guess that he was inspired by the traditional name Barbara, which can be traced back to the Ancient Greek word barbaros, meaning “foreign.”
*In the late ’70s, synth-pop band Duran Duran named themselves after the missing scientist Durand Durand.
I recently came across a BBC article that described how the Norman Conquest drastically changed naming practices in England. Anglo-Saxon names like Aethelred, Eadric, and Leofric were soon replaced by Norman names like William, Robert, and Henry following the 11th-century invasion, which was led by William the Conqueror.
Here’s a quote from the article by English historian Robert Bartlett:
The ruling elite set the fashion and soon William was the most common male name in England, even among peasants. A lot of people changed their names because they wanted to pass in polite society – they didn’t want to be mistaken for a peasant, marked out with an Anglo-Saxon name.
And here are some more details regarding the names, from a later article in The Telegraph:
In Peter Ackroyd’s Foundation, the author notes that on an English farm in 1114 the workers were listed as being called Soen, Rainald, Ailwin, Lemar, Godwin, Ordric, Alric, Saroi, Ulviet and Ulfac. By the end of the century all these names had disappeared.
Because the Normans had conquered England half a century earlier, all these men were easily identifiable as Anglo-Saxons just by their names.
[…]
Of the old English names, only Alfred, Edmund, Edwin and Edgar survived, while Edward thrived, largely thanks to the cult of Edward the Confessor.
The author also mentioned that, per Ackroyd, “a boy from Whitby was recorded as changing his name from Tostig to William because he was being bullied” at the beginning of the 12th century.
And, in case you were wondering about female names, here’s a quote by English historian David Hey:
After the Norman Conquest the personal names that had been popular with the Anglo-Saxons and the Vikings fell out of favour. Some of the names favoured by the Normans were female equivalents of male names, e.g. Joan, Jane, Janet from John, or Patricia, Petra, and Paula from Patrick, Peter, and Paul. Others were biblical names or the names of saints. Joan and Agnes were first recorded in England in 1189, Catherine in 1196, Mary in 1203, Elizabeth in 1205, and Anne in 1218.
Two more female names favored by the Normans were Alice and Matilda.
The godfather of Gothic fiction, Edgar Allan Poe, was born 202 years ago today.
He may have been master of the macabre, but he wrote widely — far beyond horror. His other works fall into genres such as humor/satire, science fiction, detective fiction, and adventure fiction.
To celebrate Poe’s birthday, let’s check out some of the character names he used in his short stories, poetry, and longer works:
Girl Names
Ada, from the poem “Tamerlane” (1827)
Alessandra, from the play Politian (1835)
Annabel Lee, from the poem “Annabel Lee” (1849)
Annie, from the poem “For Annie” (1849) and the short story “Landor’s Cottage” (1849)
Arabella, from the short story “The Man That Was Used Up” (1839)
Berenice, from the short story “Berenice” (1835)
Camille, from the short story “The Murders in the Rue Morgue” (1841)
Eleonora, from the short story “Eleonora” (1842)
Ermengarde, from the short story “Eleonora” (1842)
Estelle, from the short story “The Mystery of Marie Roget” (1842)
Eugenie, from the short stories “The Spectacles” (1844) and “The System of Doctor Tarr and Professor Fether” (1845)
Eulalie, from the poem “Eulalie – A Song” (1845)
Evangeline, from the poem “Evangeline” (1848)
Fanny, from the poem “Fanny” (1833)
Grettel, from the short story “The Unparalleled Adventure of One Hans Pfaall” (1835)
Helen, from the poems “To Helen” (1831) and “To Helen” (1849)
Ianthe, from the poem “Al Aaraaf” (1829)
Isabel, from the poem “Fairy-Land” (1829)
Jacinta, from the play Politian (1835)
Jane, from the unfinished novel The Journal of Julius Rodman (1840)
Kate, from the short story “Three Sundays in a Week” (1841)
Kathleen, from the short story “The Man That Was Used Up” (1839)
Lalage, from the play Politian (1835)
Lenore, from the poems “Lenore” (1843) and “The Raven” (1845)
Ligeia, from the poem “Al Aaraaf” (1829) and the short story “Ligeia” (1838)
Madeline, from the short story “The Fall of the House of Usher” (1839)
Marian, from the short story “The Oblong Box” (1844)
Marie, from the short story “The Mystery of Marie Roget” (1842)
Miranda, from the short story “The Man That Was Used Up” (1839)
Morella, from the short story “Morella” (1835)
Pauline, from the short story “The Murders in the Rue Morgue” (1841)
Psyche, from the short story “A Predicament” (1838)
Rowena, from the short story “Ligeia” (1838)
Stephanie, from the short story “The Spectacles” (1844)
Tabitha, from the piece “How to Write a Blackwood Article” (1838) and the short story “The Man That Was Used Up” (1839)
Ulalume (rhymes with tomb), from the poem “Ulalume” (1847)
Una, from the short story “The Colloquy of Monos and Una” (1841)
Zanthe, from the poem “Al Aaraaf” (1829)
“The Cask of Amontillado”
Boy names
Adolphe, from the short story “The Murders in the Rue Morgue” (1841)
Adolphus, from the short story “The Spectacles” (1844)
Alberto, from the short story “The Murders in the Rue Morgue” (1841)
Alexander, from the unfinished novel The Journal of Julius Rodman (1840)
Alexandre, from the short story “The Murders in the Rue Morgue” (1841)
Alfonzo, from the short story “The Murders in the Rue Morgue” (1841)
Andrew, from the unfinished novel The Journal of Julius Rodman (1840)
Angelo, from the poem “Al Aaraaf” (1829)
Arthur, from the novel The Narrative of Arthur Gordon Pym of Nantucket (1838) and the short story “Some Words with a Mummy” (1845)
Auguste, from the short stories “The Murders in the Rue Morgue” (1841), “The Mystery of Marie Roget” (1842), and “The Purloined Letter” (1844)
Augustus, from the novel The Narrative of Arthur Gordon Pym of Nantucket (1838) and the short story “A Tale of the Ragged Mountains” (1844)
Baldazzar, from the play Politian (1835)
Barnabas, from the short story “Thou Art the Man” (1844)
Benito, from the play Politian (1835)
Charles, from the short story “Thou Art the Man” (1844)
Cornelius, from the short story “The Oblong Box” (1844)
Dirk, from the novel The Narrative of Arthur Gordon Pym of Nantucket (1838)
Egaeus, from the short story “Berenice” (1835)
Emmet, from the novel The Narrative of Arthur Gordon Pym of Nantucket (1838)
Ernest, from the short story “The Facts in the Case of M. Valdemar” (1845)
Ethelred, from the short story “The Fall of the House of Usher” (1839)
Fortunato, from the short story “The Cask of Amontillado” (1846)
Frank, from the unfinished novel The Journal of Julius Rodman (1840)
Frederick, from the short story “Metzengerstein” (1832)
Gordon, from the novel The Narrative of Arthur Gordon Pym of Nantucket (1838)
Hans, from the short story “The Unparalleled Adventure of One Hans Pfaall” (1835)
Henri, from the short story “The Murders in the Rue Morgue” (1841)
Isidore, from the short story “The Murders in the Rue Morgue” (1841)
Israfel, from the poem “Israfel” (1831)
Jacques, from the short story “The Mystery of Marie Roget” (1842)
James, from the unfinished novel The Journal of Julius Rodman (1840)
John, from the short story “The Man That Was Used Up” (1839) and the unfinished novel The Journal of Julius Rodman (1840)
Jules, from the short story “The Murders in the Rue Morgue” (1841)
Julius, from the unfinished novel The Journal of Julius Rodman (1840)
Jupiter, from the short story “The Gold-Bug” (1843)
Meredith, from the unfinished novel The Journal of Julius Rodman (1840)
Napoleon, from the short story “The Spectacles” (1844)
Paul, from the short story “The Murders in the Rue Morgue” (1841)
Pedro, from the short story “The Oval Portrait” (1842)
Peter, from the novel The Narrative of Arthur Gordon Pym of Nantucket (1838) and the short story “The Business Man” (1840)
Pierre, from the short story “Bon-Bon” (1832), the unfinished novel The Journal of Julius Rodman (1840), and the short story “The Murders in the Rue Morgue” (1841)
Poindexter, from the unfinished novel The Journal of Julius Rodman (1840)
Politian, from the play Politian (1835)
Prospero, from the short story “The Masque of the Red Death” (1842)
Richard, from the novel The Narrative of Arthur Gordon Pym of Nantucket (1838)
Robert, from the novel The Narrative of Arthur Gordon Pym of Nantucket (1838) and the unfinished novel The Journal of Julius Rodman (1840)
Roderick, from the short story “The Fall of the House of Usher” (1839)
Rupert, from the play Politian (1835)
Tamerlane, from the poem “Tamerlane” (1827)
Theodore, from the short story “The Man That Was Used Up” (1839)
Toby, from the unfinished novel The Journal of Julius Rodman (1840) and the short story “Never Bet the Devil Your Head” (1841)
Ugo, from the play Politian (1835)
Victor, from the short story “The Spectacles” (1844)
William, from the short stories “William Wilson” (1839), “The Murders in the Rue Morgue” (1841), and “The Gold-Bug” (1843)
Zoilus, from the short story “Shadow – A Parable” (1835)
Though they aren’t character names, Raven and Poe could be added to this list as well, as both are closely associated with Edgar Allan Poe. And both are bird-related, incidentally: the surname Poe can be traced back to the Middle English word for “peacock.”
Which of the above names do you like best? Which would you considering using in real life?
Mckinley, Richard. A History of British Surnames. New York: Routledge, 2013.
[Latest update: 10/2022]
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